I suddenly
recollected my school syllabus, wondering if the museum etiquettes are thought
in the classrooms.
The
obvious answer is no. teachers are not aware of the museum culture and its practises.
This attitude is really bizarre in a country which has rich cultural history
and heritage. Teachers are always baffled in a weird combination of mathematics
and chemistry; the number of marks scored is proportionate to total percentage
of their subject with reaction of this into their incentives.
Art,
museums, Galleries; who cares? People have very minimal interest about
something that they have to protect and foster, to pass it onto the next
generation. The so called informed people with technology visit galleries and
museums once in blue moon with set of scales in hand. You name it they know
everything from the great Picasso to their own relative who pat clay once in a
month.
I spent a
few days in an exhibition of sculptures shown at the government art gallery as
in charge. The display of sculptures more or less manifested into an
archaeological museum arrangement. People
who visited the very famous Vidhana Soudha; less known than the great posh hi
end Mahatma Gandhi Road also walked across this gallery with another
technological museum standing next to it.
This visit is not driven by their interest but vital part of their paisa
vasool scheme. The ever energetic bombarding kids with negligent parents who
enact kings of the past who were honoured when they visited such places like in
old movies were the majority of audience.
My job in
the gallery is to take good care of sculptures and ensure safety to its
condition. To guarantee this I have to restrict the visitors from taking
photographs and touching them. People who got my words “please don’t touch the
sculptures”, “please don’t take photographs” showed grim faces at the exit
door. Later these words lost its smile and vanished in the rest room as I
washed my face at regular interval.
I went
back with the usual two sentences to puke at the visitors. I saw a small boy
rushing into the gallery running like a rage bull with his obese dad followed
with his short, dark and tired mother. Like any other visitor who enters the
gallery with kids, I poured the same things into their ears. “Yes of course I
won’t let him do that” he replied. This must be a first of its kind, an
educated family I thought after the father pulled his son’s arm and lift him above
his waist to the shoulders. I was worried that arrangement of sculptures could
be brought down by that giggle of the boy.
The boy
and his father finally stood near the big main arrangement. Father to impress
his little son, rolled his fingers across the portraits of Gangubai Hangal and
Bhimsen Joshi ……………….
I became
extremely furious to have seen something like that. I shouted at the father “can’t
you understand? At least the small boy has little brains but you are too
ridiculous to allow inside this premises. He was silent and left the
gallery……………..
II
There are
different types of people who visit the shows. Extremely Shy women in their 40s
do not attend the art exhibitions often at least with their families unless
they are close to the artists. These aunts are suppressed, pathetic creatures
dominated by their husband and family including kids. Women of this genre
believe nothing is important but TV, Husband and kids. These women spice up
their lives within daily soaps with immediate representation of the local
personal history. Embarrassment is the biggest sin of their entire life for
some of these conservative people. These typical ones are a little different
from the father and son.
A woman
came with her confused family and walked vigorously all across the pedestals of
the sculptures with no clue. Accidently went too close to Mansoor’s portrait
which eventually made hard sound as it plunged down the floor. I ran from the
last corner to get the model back to its ground. The woman was so embarrassed
and she started smiling as if a joke is waiting to be acknowledged. I picked up
the sculpture and looked into it carefully to observe any possible damage.
Within seconds the whole family disappeared even before I found the sculpture
was in one single piece, I was relived.
III
Peculiar
behaviour of people, particularly in boys is that they want to capture
everything on camera; be it a dog sleeping in a corner or a policemen sipping a
pot of tea!!
These
types are a real threat to the exhibition display because these sheep can lead
up to any extent just to impress their stupid yet careless girl friends!! It is a real shame that certain place like
museums and galleries are used for such practises.
They call
it ‘MASS’ the eyes and hands along with their brains of MASS is not programmed
for honest interest for culture and history. Going back to my school days, I
wish these etiquettes were thought in our classrooms.
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